"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's "Fountain." But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of "Critical Terms fo...(展开全部)

"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's "Fountain." But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of "Critical Terms fo...(展开全部)

Art has always been contested terrain, whether the object in question is a mediaeval tapestry or Duchamp's "Fountain". But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of "Critical Terms for...(展开全部)

The nature of the visual has recently moved to the centre of debates in the humanities. Art history as a discipline is now addressing some of the most basic questions about cultural production, questions such as how images function and how expectations and social factors mediate what we see. The new scope of art history has required a major expansion and reassessment of methods...(展开全部)

Communications, philosophy, film and video, digital culture: media studies straddles an astounding array of fields and disciplines and produces a vocabulary that is in equal parts rigorous and intuitive. Critical Terms for Media Studies defines, and at times, redefines, what this new and hybrid area aims to do, illuminating the key concepts behind its liveliest debates and most...(展开全部)

红书皮儿，很正点的文学理论书。

Over the past century, Buddhism has come to be seen as a world religion, exceeding Christianity in longevity and, according to many, philosophical wisdom. Buddhism has also increasingly been described as strongly ethical, devoted to nonviolence, and dedicated to bringing an end to human suffering. And because it places such a strong emphasis on rational analysis, Buddhism is co...(展开全部)

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玛丽莲·斯托克斯塔德（著）： 教授、艺术史学家、策展人，曾任美国“高校艺术协会”（ College Art Association）主席、国际中世纪艺术中心主席，为斯潘塞艺术博物馆创始馆长，荣获美国女性艺术核心委员会（Women's Caucus for Art）终身成就奖、堪萨斯艺术委员会年度艺术教育家。《时代》杂志将她评为大学最受欢迎的100位女作家之一。 迈克尔·柯思伦（著）： 斯沃斯摩尔学院的艺术史教授，他曾任该院的美术系主任、中世纪研究协调员及人文中世纪、罗马艺术及建筑课程、美术通史课程等。 王春辰等（译）： 中央美术学院教授，博士生导师，中央美术学院美术馆副馆长，第55届威尼斯国际艺术双年展中国馆策展人，从事当代艺术与批评研究工作。

This masterly collection of texts interrogates the raging academic question, What is art history? Editor Preziosi, who directs ground-breaking critical studies of art history and museology, provides introductions to 35 challenging readings gathered in nine chapters. This plethora of alternatives is curiously complicated, even obfuscating. Covered here are the most current and r...(展开全部)